Of Brain Massages and Identity Crisis
By Georgina G. Gluzman The Transregional Academy on Latin American Art II has just ended. I am still processing the...
By Georgina G. Gluzman The Transregional Academy on Latin American Art II has just ended. I am still processing the...
Here are the first impressions of our Transregional Academy “Mobility” in Buenos Aires. The conveners of the Academy are opening...
Arte flotante – Strategies of Mobility in the Art of Argentina between 1950 and 1970 In her PhD project, Laura...
Transfers and Mobility: Foreign Artists in Buenos Aires (1900-1950) At the first half of the twentieth century, Buenos Aires was...
Historical, aesthetical and epistemological mobility in the formation of a photographic field in Argentina, 1930-1960 This project aims to analyze...
Global Art: From Les Magicies de la Terre (Paris, 1989) to the São Paulo Biennial (1998) In her presentation, Camila...
Women Artists in the City of Buenos Aires in the 1920 and 1930s Georgina Gluzman’s current project focuses on women...
Mobility and Style. The notions of Orientalism and Exoticism in 19th century Latin American Painting This project tries to approach...
The ‘Folkloristic Modernity‘ – Mexican Indigenism between Nationalidentitarian Definitions and Transregional Entanglements (1920-50) Within the Mexican avant-garde bohème milieus, the...
Brasilidade Unbound: Immigration and Identity in Contemporary Brazilian Art and Architecture Interested in migration and artistic production in Latin America,...
The Destruction of the Idols and the Emergence of the Christian Cult Image in New Spain: Framing Sacred Objects in...
From Mouth to Hand: Mopa Mopa Objects and Epistemological Encounters in the Colonial Andes This project focuses on wooden objects...
Rome in the Building of South-American Art and Academies in the Long Nineteenth Century Since the last quarter of the...
The Place of Ritual: Dialogues and Continuities Between Sacred Spaces in Rural 18th Century Andes The project Fixed Images in...
Rubens in a New World: Prints, Authorship, and Transatlantic Intertextuality The European print was one of the most important factors...