Laura Karp Lugo: Latin American Art in the Post-Colonial Era
A Transnational History of Latin American Art in the Post-Colonial Era The aim of this project is to study the...
Kategorie: Participants
Pauline Bachmann: Constructivism as Construction
Constructivism as Construction: Brazilian Neoconcretism between Language and Object Bachmanns research project focuses on Brazilian Neoconcretism at the end of...
Rachel Vallego: The Print Donation
The Print Donation from the Central Bank of Brazil to the Museum of Contemporary Art of the University of São...
Samuel Wagen-Magnon: The “Tree of Modern Art”
The “Tree of Modern Art” as Prime Object or Replication? Miguel Covarrubias Between Art History and Anthropology Starting from the...
Renata Rocco: Danilo di Prete
Danilo di Prete: Between Syndical Exhibitions in Italy and São Paulo Biennial of Art The project has as its main...
Nikolas Drosos: A Tale of Two (University) Cities
A Tale of Two (University) Cities: The Modernist Campuses of Mexico City and Caracas in the Imaginary of Socialist Eastern...
Abigail Lapin Dardashti: Re-Constructing Blackness in Brazil
Re-Constructing Blackness in Brazil: Politics, Race, and Modernity in Brazilian Art and Architecture, 1950s-1980s Starting in the 1950s, the Brazilian...
Caroline “Olivia” M. Wolf: “Emigrados de lejanas regiones”
“Emigrados de lejanas regiones”: The Art and Architectural Patronage of Arab and Armenian Diaspora Communities in Modern Argentina, 1910-1955 At...
Dafne Cruz Porchini: Modern Circuits
Modern Circuits: The Display of Mexican Art (1900-1930) International Art exhibitions provide insights for understanding the shaping of a modern...
Mariola V. Alvarez: Transnational Brazil
Transnational Brazil and Modern Calligraphic Abstraction Alvarez’ research project examines the emergence of lyrical abstraction in Brazil in the late...
Camila Maroja: The First Mercosul Biennial
The First Mercosul Biennial: Showcasing an Abstract and Political Latin America Maroja proposes to examine the curatorial project of the...
Kristian Handberg: The World Goes Modern
Kristian Handberg »The World Goes Modern: New Globalized Framings of the Postwar Era in the Contemporary Exhibitions After Year Zero...
Riccardo Venturi: Porosity as Modernism
Porosity as Modernism: A Transatlantic View on Post-War Italian Visual Practices If asked what Modernism is in XXth century Italian...
Sabrina Moura: Decenterings and Regionalisms
Decenterings and Regionalisms: An Intercrossed History of the Havana and Dakar Biennials This research intends to investigate the role of...
Miriam Oesterreich: Artistic Indigenism in Mexico
Artistic Indigenism in Mexico The artistic Mexican avant-garde (ca. 1920-1950) considered the Mexican-indigenous a fresh resource apt for the establishment...
