Plural Temporalities: Theories and Practices of Time
24 September – 2 October 2022, Bogotà
Participants and Projects
| Participant | Project |
|---|---|
| Bat-Ami Artzi (Dumbarton Oaks) | Clashing Temporalities and their Reflection in Colonial Andean and Spanish Art |
| Ana Paula dos Santos Salvat (University of Sao Paulo) | The city as a palimpsest and the layers of time: the monoliths as antiquities and the political uses of Mexican artifacts |
| Mya Dosch (California State University) | Dissident Temporalities: Afterlives of 1968 in Mexican Public Space |
| Hannah Katalin Grimmer (Universität Kassel) | Somos Históricas – Art in Resistance. Artistic Practices as Alternative Memory Spaces in Social Movements Based on the Example of Chile |
| Verena Kittel (Freie Universität Berlin) | Teacher Artists and the Blind Spots of Modernity: The Conflictual Research Methods of Anni Albers, Lina Bo Bardi, and Judy Chicago |
| Larisa Antonela Mantovani | Productive uses of time (and not so much): Tensions between applied arts and industry in textile |
| Giulia Murace (Universidad Nacional de San Martín) | Human, natural, urban landscapes of Rome at the turn of 20th century in the paintings of Rioplatense artists |
| Benjamin Murphy (University of Oregon) | Second-Order Images: Reflexive Strategies in Early Latin American Video Art |
| Fabriccio Miguel Novelli Duro (University of Campinas) | Temporalities of an exhibition: uncovering the “Brazilian Salons” between 1840 and 1884 |
| Franciska Nowel Camino (Academy of Fine Arts Dresden) | Interwoven Epistemologies. The affirmative reception of Latin American textile techniques in art since 1950 |
| Laura Petrauskaité (Vilnius Academy of Arts) | Bolivian, Mexican and Ecuadorian Art Exhibitions in Soviet Lithuania |
| Lucy Quezada (University of Texas, Austin) | The Official Field: Visual Arts and Cultural Policy During the Military Dictatorships of Argentina, Brazil and Chile |
| Killian Rauline (École normal supérieure) | Time Discrepancies – Returns to painting in Brazilian art (1968 -1989) |
| Juan Ricardo Rey Marquez (Universidad Nacional de 3 de Febrero) | Ephemeral models enduring depictions, Mutis and the pursuit of the ultimate botanic depiction style |
| Diogo Rodrigues des Barros (University of Montreal) | Made in América Latina: Art Historiography and art criticism in Latin American networks of sociability (1967-1995) |
| Aleksandra Tobiasz (European University Institute) | Between Chronos and Kairos – Witold Gombrowicz’s diarisitic struggles with time |
| Maria Victoria Véliz (University of Miami) | Deacceleration and Cyborg Performances: Latin American Performance |
| Sofía Vindas Solano (Universidad de Costa Rica) | Cosmopolitan outsiders: Artistic practices and cultural activity of Central American artists at the international circuits of modern art, 1950s-1990s |
